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Producer: Aditya Chopra
Director: Kunal Kohli
Starring: Starring; Saif Ali Khan, Rani Mukherji, Kiron Kher, Rishi Kapoor and Rati Agnihotri. Special Appearances by; Jimmy Shergill, Abhishek Bachchan, Shenaz and Isha Koppikar
Music:Jatin-Lalit Lyrics: Prasoon Joshi
Genre: Comedy Romantic
Recommended Audience: General
Released on: May 28, 2004
Approximate Running Time: 150 minutes
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Reviewed by: Narbir Gosal Reviewer's Rating: 8 out of 10
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Sometimes love doesn´t happen at first sight.
Sometimes it grows over time between two people. That´s exactly the
premise behind Hum Tum, the newest Yashraj Prod. directed by Yash
Chopra protegee Kunal Kohli. Hum Tum is
Kohli´s second directorial
venture after the disaster that was Mujhse Dosti
Karoge!. This time
around, however, Kohli makes a whimsical, lighthearted film with a soul
that will have most of the romantics out there (and some of the
jaded) falling in love allover again. The film is vintage Yash Chopra,
both the look and feel of the film are familiar to those of us who have
grown up with Yash Chopra´s romances. The difference here is that this
film is only about falling in love. No love triangles, no winning over
family members, no college masti; this film is a mature and more
realistic (by Bollywood standards) look at love. Kunal scores with
great direction, an interesting screenplay and perfect casting.
The film takes a look at 9 years of our two lead
protagonists, Rhea (Rani Mukherji, looking out of this world in her
sexy new look) and Karan (A peppy, loveable and confident Saif). They
meet on their way to New York from India, where playboy Karan tries to
woo Rhea from the get go. Straight from the first meeting it´s obvious
that these two would never be able to endure a realtionship together,
but never say never. The couple parts after an eventful stop over in
Amsterdam, and they continue to meet over the course of the next 9
years. Each meeting is completely different from the last. In New
York Rhea catches Karan up to his old playboy ways, then in Delhi he´s
organizing her wedding, and then to Paris where a chance
encounter rekindles an old flame.
The story sounds boring on paper, but thanks to
Kunal´s screenplay and direction the film is enjoyable. First the
screenplay; Kohli has written each meeting between the two leads well. Their initial meetings are light hearted and fun, however once they
meet in Paris (and there after) the interactions get a tad more serious
as Karan tries to help Rhea through hard times. All the while you can
see the characters growing and maturing with each meeting. The
character developmet is subtle and gradual, but it comes across
tremendously on screen. Also worth a mention is Kohli´s direction
which is leaps and bounds above Mujhse Dosti
Karoge!. The meetings
are intertwined with animated sequences where Karan´s comic strip
charatcers, Hum Tum, are fighting the greatest battle of all, the
battle of the sexes. In essence it´s like having a narrarator, but
this method is much more effective. And the animated sequences will go
down well with the audience, not only because it´s something new, but
also because the quality of the animation is of international
standards. Dialouges ensure that the meetings stay entertaining, and
give us insight into the characters. One particularly entertaining
piece takes place between Karan and Rhea at her mehndi; he extoles the
virtues of not marrying citing the fact that most of the worlds
historical lovers never married. On the other hand Rhea uses the
example of the Taj Mahal, the greatest symbol of love in the world,
constructed by a married man for his wife. Cinematography is first
class, background music is functional, Jatin Lalit´s score doesn´t
provide any catchy numbers but provide a good break to go to the
bathroom. The only true fault with the film is that once you´ve seen
it, a repeat viewing doesn´t seem all that appealing.
The film really scores with casting. Saif Ali Khan
and Rani Mukherji are such naturals that it seems they are only playing
extentsions of themselves on screen. They effortlessly fit into their
characters and handle the situations in the film with ease. As a
result the film doesn´t require Rani or Saif to stretch their acting
muscle, they only kick into performance mode in the last half hour of
the film. Rhea and Karan are also charming characters and getting two
of our most charming artistes into the roles is a big plus. The
chemistry between the two is hot, they make a great pair and their
obvious comfort with each other on screen makes one hope they are cast
together in the future. The real surprise are the supporters,
especially Kiron Kher. We´ve seen her as the mother in countless
films, but never like this. As a typical Punjabi mom, she is
fantastic, stealing every scene that she is in. Her mannerisms
and accent lend a lot to the performance, she never goes over the top
and scores very well with the audience. This is definitely a feather in
her cap. Rishi Kapoor and Rati Agnihotri as Saif´s estranged parents
also do a good job. Kapoor looks the part and gives a nice
performance, Rati makes do with the limited amount of scenes given to
her. The film is also chalk full of surpise appearances. Jimmy
Shergill as Mihir is a complete natural, Abhishek Bachchan and
Isha
Koppikar make impacts in two scene roles. Shenaz
(Ishq Vishk) shows
why she may just be a one film wonder.
Hum Tum is wholesome family entetainment with a fresh
outlook on the whole love issue. Kunal Kohli does a better job with
this second film, he´s obviously taken a lot of time to think this
project through and it shows. His direction and screenplay are fresh
and entertaining, making this one fun viewing expereince. Saif Ali
khan and Rani Mukherji are perfectly cast and play their parts
naturally. Luckily they are supported by some seasoned performers who
all score higher marks than the leads, and the film is peppered with
familiar faces making fleeting appearances. Hum Tum may not be path
breaking, but it´s definitely the way to go if you are looking for a
few hours of entertainment. This is India´s perfect date movie!
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