Aisha   Producer: Anil Kapoor, Rhea Kapoor Director: Rajshree Ojha Starring: Sonam Kapoor, Abhay Deol, Arunoday Singh, Cyrus Sahukar Music: Amit Trivedi Lyrics: Javed Akhtar Genre: Romantic Recommended Audience: General Film Released on: 06 August 2010 Reviewed by: Lidia Ostepeev  - Rating: 5.5 / 10   Let us know what you think about this review Music Review

However, this latest adaptation of Emma directed by Rajshree Ojha, is inferior to the two most recent Hollywood versions - Clueless and Emma (1998, McGrath) because it is the casualty of a stultifying Bollywood trait - that of engendering narcissism by favouring a select star at the expense of the ensemble and thereby skewing the entire screenplay to accommodate the adoration. Kites too suffered because of a similar preoccupation.

The essence and wonder of the original text is its insight into social interactions - its stand-out depictions of the undercurrents, tensions and hidden agendas that are at play when people gather to celebrate, entertain or seek diversion. These are largely missing from the screenplay (Devika Bhagat) and dialogues where moments from Clueless are highlighted without the satirical ‘bite’ that made them effective. Aisha subjects her hapless but willing provincial friend Shefali (Amrita Puri) to an urban make-over so she can attract a wealthy, well-connected husband. In the original and in Clueless, this intended husband is a social snob who ingratiates himself to the Emma character so she doesn’t notice his shortcomings. In Aisha he is a bumbling but basically nice guy (Cyrus Sahukar) so that we don’t get the tension, humour or irony of the situation.

Another eligible young male in Aisha’s circle Dhruv (Arunoday Singh) is a similarly watered-down version of an Austen character who originally had wit, charm and a huge propensity for self- promotion. These traits do not receive ample treatment because the film is busy promoting Sonam in the role of Aisha as charm incarnate. There is simply no room for another to share the platform. In Clueless the Dhruv-equivalent brims with style and is the epitome of cool; in the original too, he is socially influential and interesting. Dhruv in Aisha emerges as a beefed-up but not particularly noteworthy yuppy with a bland personality so that one cannot see why Aisha is attracted to him or why he might be a candidate for her match-making program.

A reality check on Aisha’s forays into match-making is provided by the good-sense of Arjun (Abhay Deol) - brother-in-law to Aisha’s sister. However, I found Aisha and Arjun’s spats a bit silly and childish - not at all like the witty dialogues in the original text, recent Emma film or even Clueless. “Show me your tongue?” as they are eating flavoured ices. “Mine’s green. Mine’s red.” Or wrestling with the remote control. This is not the stuff of engagement or humour. Arjun’s role is one of a well intentioned mentor and as a businessman and Aisha’s senior, outbursts of teenage behaviour do not seem to mesh with his character or function. Maybe Aisha bought out the childish fun-streak in his personality but I’d rather he had been more aloof because this makes for a more exhilarating finale.

Also unnecessarily ‘spoilerish’ were the fits of jealousy that Aisha directs at Arjun’s Jolie look-a-like girlfriend Aarti (Lisa Haydon). It is hard to accept a high level of social interaction between Arjun and his rather sophisticated girlfriend on one hand and Aisha and her younger circle of friends on the other yet they go camping and clubbing together. By far the most competent aspects of Aisha are either borrowed from the original text or Clueless. Its original touches such as the love affair of Aisha’s girlfriend Pinky (Ira Dubey) or the addition of the Aarti character, were rather second rate.

Even though I didn’t enjoy Bride and Prejudice (2004) - also an Austen derivative, I really liked Chadha’s depiction of Mr. Kohlie. He was truly an Indian version of the hilarious Mr. Collins. If only the Aisha characters had been conveyed through a more satirical lens then we may have been treated to an engaging comedy of errors which mocks social behaviour instead of a very ordinary chick flick with an unwieldy ending - almost drawn from Bridget Jones’ Diary in its exaggerated level of angst and remorse. The songs (Amit Trivedi) are catchy but poor picturization does not draw them into the narrative as features or focal points.

If you are an Austen buff and have enjoyed previous Emma adaptations, Aisha will disappoint at the character, screenplay and dialogue levels even though the acting is uniformly competent. If you go with the intention of seeing a rather inconsistent chick-flick you may find some entertainment value in this film.