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![]() The Lunch box is delicately balanced on 2 fundamental points - can you ever fall in love with a person you haven’t met? And can the Harvard - approved world renowned dabba walas of Mumbai deliver a dabba to a wrong person…? We relish at the sheer beauty with which both these implausible situations are handled by debutant director and writer Ritesh Batra. Ila (Nimrit kaur) is a housewife who shares a boiled vegetable like bland relationship with her husband. To add spice to her bovine existence she churns up an amazing meal with the help of neighborhood “aunty” and her secret masalas. Now this dabba doesn’t reach the husband but an unsuspecting and phenomenally pleased Saajan Fernandez (Irrfan Khan). So while the husband chews on aloo Gobi all the delectable, amazing looking dishes are licked clean by Mr. Fernandez. Not to forget tucked away with the rotis are hand written notes that slowly get transformed into fragranced billets doux! The way to a man’s heart is through the stomach all right but looks like the way to a cine goers heart is through The Lunch Box. As Ila meticulously cuts, fries, sautés and garnishes her dishes we in the audience writhe in hunger. All you want to do is pluck that paneer kofta off the screen and pop it into your mouth. So while the food will leave us quite hungry the sepia toned romance does more than satiate us in terms of all we ever asked for from good cinema! An ageing local train travelling hero, an natural heroine and lunch box playing cupid. If this doesn’t constitute for an exotic treat I don’t know what does. Set in today’s day and age, the story basks in the afterglow of the good old days of yore. There is a Saajan cassette playing in the background, an Orient ka pankha, old Doordarshan serials, hand written love letters along with the affable neighborhood aunty who lends not just a patient ear but also her secret recipes down. The finely chopped detailing obviously adds to the whole flavor and what to talk of the irreplaceable ingredients in terms of the lead actors.
The subtlety of the romance, mellifluous love, the bitter sweet pangs of loneliness and advancing age to the vacuum of a dry marriage add to that the tangy anticipation of the unknown - it is all there yet it’s quintessentially about two people falling in love with mouthwatering food as accompaniment. And the best of course is the end. Open ended it may seem but as the director himself said in one of his interviews the film keeps playing in our mind long after we leave the hall. It occupies that pristine corner in our heart where we store everything special everything we ever yearn for. You might come up with multitudinous ways that Ila and Saajan’s life could or might turn out but one thing that everyone will agree with is that The Lunch Box is indeed very very special. So wishing you Bon appétit! The lunch box is a classic and only for those who found Grand Masti a grand embarrassment.
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