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out of

Producer: Dhirajlal Shah
Director: Gulzar
Music: Vishal
Lyrics: Gulzar

Reviewed by Anish Khanna
anish@indolink.com


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Not only does the name Gulzar evoke images of meaningful cinema, but it also has become synonymous with excellent music and lyrics. Gulzar's last offering "Maachis" introduced us to Vishal Bharadwaj, the young and talented composer whose "Chappa Chappa" is still being hummed by the "bachcha bachcha's" of the world. Now we have the music to Gulzar's "Hu Tu Tu", the oddly-titled film that is supposed to show us how life is like a "kabaddi" game.

The infectious number here for those tired of singing "Chappa Chappa" is "Chai Chappa Chai", one of the best numbers we've ever heard from Vishal. Hariharan is perfectly suited to the fun and spirited number, but surprisingly, though I am a die-hard Lata fan, she is grossly under-pitch when asked to hold out notes in her higher range here. The same thing is more evident in "Itna Lamba Kash Lo Yaaro" - another excellent Vishal composition with meaningful Gulzar lyrics.

Lata is slightly better (and the notes are relatively comfortable) in the soft rock-esque "Yeh Nam Aankhein", which again is another perfect Gulzar-Vishal combination. This number is a bonus song, however, akin to "Ae Hawa" of "Maachis". The other bonus number is "Nikla, Neem Ke Talese Nikla", another spirited number rooted in Maharashtrian folk music. All three singers - Anuradha Paudwal, Kavita Krishnamurthy, and Roopkumar Rathod - seem to be having the time of their life!

The first side of the cassette ends with an incredible instrumental track blending the drums, the sitar, the saxophone, and a host of other instruments
- easily one of the best tracks on the album.

The Marathi-titled, catchy tirade against the world "Ghapla Hai Bhai" by Roopkumar Rathod is another folksy number with a lively beat. The number is very well-suited to Nana Patekar and should be even more appealing on screen.

The preachy anthem "Bandobast Hai" uses a similar style of harmony to that we heard in "Goli Maar..." in "Satya". I found Roopkumar Rathod to be incredibly appealing in this song. Mr. Rathod's best number on this album, however, comes in the form of the other anthem "Jago Jago Jagte Raho", which is again some of Gulzar's best lyrical work.

Lata Mangeshkar more than redeems her earlier blunders with the last song on the album - the patriotic "Jai Hind Hind" (the mother of all anthems on this album). Patriotism seems to be what Lata does best, and she does it with a great amount of skill and intensity.

Vishal and Gulzar both have a history of music that perfectly compliments the film, and this seems to be the case here. But unlike some of Vishal's earlier scores, this one is also appealing in and of itself. There are some interesting snippets of dialogue to introduce each song, and if these and the
music are any clue to what the film will be like, then we are all in for a treat!

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