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MAST

out of


Producer & Director:  Ramgopal Varma

Music: Sandeep Chowta
Lyrics: Nitin Raikwar

Reviewed by: Mohammed Ali Ikram
ali@indolink.com


. Are you Mast baby?  I certainly am, and with just cause.  Ramgopal Varma's eagerly awaited next movie has a most innovative and multi-influenced soundtrack, courtesy of Sandeep Chowta and Nitin Raikwar.   (You remember Chowta don't you?  He was the genius behind the flawless background scores of Kaun and Satya.)  Defying convention, as is always the case for Varma, Mast has designer, situational tunes that are most un-Bollywood.  The irony of it all is what makes them so great.  For those of you who do not know, the film has Varma returning to Bollywood for the film's backdrop.    

Music director Sandeep Chowta opens the soundtrack with his vocals for an Enigma-tic and percussion-heavy title track.  Representing a fan's near obsession with his favourite film heroine, the tune is very stylized and Rahmanesque in construction.  Think hard enough, and it will have you remembering some of the rifts Rahman used in Daud and Hindustani.  Sunidhi Chauhan, the album's major find (and only an adolescent according to some sources), brings throaty appeal to the female version of the tune, "Main Mast", a little later on.

"Ruki Ruki Thi Zindagi" is a near marvel of a train tune, sure to be played in many Indian clubs in the near future.  The continuously improving voice of Sonu Nigam is accompanied by Sunidhi Chauhan (sounding very different from her other   contriutions to the album) for this perfect allegory about a fun train ride through life. 

Back to the obsession theme for Sonu Nigam's odes of love in "Aasmaan Kehata Hai Rab Se".  A wonderful percussive pulse accompanies the erotic refrains, but one has to marvel at the words in this song.  Nitin Raikwar is best known for creating silly but immensely popular lyrics such as "Teri Tirchi Nazar Mein Hai Jadoo" (Loafer) and "Aati Kya Khandala" (Ghulam).  Mast proves Raikwar has the ability to be very successful with more logic and seriousness.  Kudos Nitin!

Blasphemy is what some pseuds will probably scream about the "Pucho Na Yaar" take-off by Sandeep Chowta.  Idiots, I say back.  This rap-based update and modification actually credits legendary R.D. Burman for the inspiration source (which was a great song in its own right).  But look at the song in the right context.  If you have not yet guessed from the earlier songs, it is clear our film's hero is besotted with Bollywood.  So why not have him sing an intentionally 'inspired' tune as he lies to his friends about winning over the heart of some unattainable starlet or rich girl?  It is a cute story-based song, and if you listen carefully to each verse, you will remember all the times you or your friends have invented tales to impress one another.

Asha Bhosle.  How do I say how much I love her singing?   This legend is just too great for words.  Heck, she can even redeem the most asinine songs with the velvety voice.  Luckily, no such problem here, but Mast's songs would not have been as great without Ashaji.  "Hey Rama Krishna Govinda Gopalaa" (no it is not religious a religious concoctionl) is a very well-researched 'swinging' tune inspired from the black and white Hollywood films of yesteryears.  I never liked those flicks (except Charlie Chaplin and The Three Stooges), but this tune is a major winner. 

Sonu Nigam and Sunidhi Chauhan rejoin to demonstrate how different this album is in "Sunatha Tha".  It is clearly a romantic duet, but where are all the typically Bollywood dhols, sa re ga mas and laments about flowers and birds, etc.?   Here the lovers use a jazzy, brass and string-instrument base to describe the powerful yet ambiguious nature of love.

You do not have to sail across the seven seas to realize that Asha Bhosle, Sonu Nigam and the chorus are singing a mediterranean influenced tune in "Main Tere Dil Ki Malika".  I think of sandy beaches, a gorgeous companion  (Urmila anyone?) and the very funny lyrics every time I hear it.  Oh, does anyone know, in what language is the chorus singing?  I heard something about being squishy and that is about it.  (Note that the song is claimed to be courtesy of J. Hornet and K. Lewis, perhaps the original 'squishy' tune composers?)   Infectiously cute.

There's more potential for inflaming album listeners in Asha's mystery-movie themed "Na Govinda, Na Shahrukh Hai".  It is a role reversal wherein the heroine sings about her guy comparing better than the current mega-heroes of Bollywood.  Just try not to take it so seriously.  Concentrate on Ashaji's perfect singing and the multi-layered instruments and you Shahrukh fans might not be so upset.  

As with all Ramgopal Varma movies, Mast is a treat of an album.   It is amazing that such a talented and innovative director can also be so productive. (Count Varma's qualitative and quantitative output.  I think it is way better than the over-rated Sooraj Barjatya diabetic-fests.)   Discerning musical connoiseurs will love this soundtrack, but I don't know about the masses.  If it does well, it will be another step forward for Bollywood.   Acceptance of innovativeness is a great way to herald a new millenium!

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