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![]() Tell us something about your background.
You play the character of Eva Acharya in 'The Reunions'. Can you share something about the character? Eva has different shades. There was a time when she used to trust people easily. That resulted in her heart getting broken by many people. Ten years later, she is a different person altogether. She is very blunt and upfront in with everyone. She is the most glamorous girl in the college. Has there been a significant change in the way she was in college and now when she meets her friends after ten years? She was a shy, shabby girl. Now, she has transformed into a glamorous in the film. What has led to the transformation is something you will discover when you watch the film. You have worked in a variety of mediums and across different languages. Is adapting to different languages a challenging process? Language has never been a barrier for me. I have done projects in Hindi, Marathi, Gujarati, English. I never considered language to be a hindrance in taking up a project. At the end of the day, it is an art. You emotions and expression will remain the same regardless of the language. The internet or the digital medium has emerged as a new and interesting space to create content. Would you like to explore it? I have done a couple of digital ads in the past. I would love to do a web-series. The film has a very urban and fresh look to it. Looking at the posters, one would think that it is a Hindi film. Do you think that the film is in a new space as far as regional cinema is concerned? I do not think cinema can be classified as urban and rural. How does one categorize a classic like 'Mother India'?. With time, content will change and that is a very natural process. Cinema is a reflection of the society and our film shows the way the youth is today. What's next? I have been shooting for a show for Colors Gujarati called called 'Mehak - Mota Ghar Ni Vahu' since a year and a half. Till September, I will be busy promoting 'The Reunions'. I will take up a new project after that.
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