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![]() The tiny 19th century village of Covington, founded by “elders” who have fled the violence of the city to live in peace and isolation is the location of the tale this time around. Their idyllic life is threatened by “those whose names we never speak” - creatures that have lived in peaceful co-existence in the surrounding forest. But the beasts have begun encroaching, leaving ominous warnings for the villagers. The lead players: Lucius Hunt (Joaquin Phoenix) is the strong, silent type who questions the need to keep people confined to the village. Ivy Walker (Bryce Dallas Howard) is the blind girl who loves him and Noah Percy (Adrian Brody) is the simpleton who wanders at will and has a soft corner for Ivy. The creatures threaten this love triangle and the very existence of the village. One of them must brave the forest and go for help.
As in his other films, Shyamalan’s characters reveal an underlying faith that has more to do with life than religion. But this time around, the epiphany of the plot, the twist at the end that has become a signature of this director, illuminates another aspect of his complex personality and imagination. Of the actors, Bryce Dallas Howard leads with the grace and craft of a natural. Joaquin Phoenix delivers another moving performance. Adrian Brody disappointingly lurches through the film like a scarecrow on ecstasy and Sigourney Weaver seems strangely self-conscious. This is not a horror flick. Shyamalan has been known to do the unexpected. Keep that in mind and forget everything else. Watch “The Village” as if you have never seen “Signs” or “Sixth Sense.” Enter the darkened hall with no expectations and keep an open mind - Shyamalan’s pristine, perfect, precise world will soon engulf you in a shroud of anxiety. You will not be disappointed.
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