Madras CafĂ© will make you sit up and take notice! For one it has a taut screenplay that is NOT interrupted by songs. The hero does NOT avert the tragedy. And a good looking boy and girl are NOT in love, they are not even â€śdostâ€ťâ€¦ they are simply thorough professionals. Adorned by such precious characteristics Madras Cafe is a gem.
Friends and cinema lovers - After having banished your brain for the likes of Chennai Express and Once Upon A Time In Mumbai Dobaraa its time to own up your grey matter and walk right into the theaters for Shoojit Sarkarâ€™s Madras Cafe. It is brewing with the right doze of thrill and pace fragranced with some truly riveting performances. Set in the late 80â€™s and early 90â€™s it documents the civil war in Sri Lanka, the brutal guerrilla warfare between the government and the ethnic Tamilian tribe finally leading up to the Assassination of Rajiv Gandhi.
Madras CafĂ© is a war film and its hero a RAW agent. While the former is a rare breed in our indigenous cinematic milieu the latter is generally an obnoxiously crazy stuntman calling to mind the likes of Ek Tha Tiger and Agent Vinod. Take a deep breath and relax because this film boasts of the infectious urgency of Zero Dark Thirty and a non- James Bond-ish Raw agent. John Abraham as Vikram Singh who is sent to carry out covert operations in Jaffna is a very real man with some very real feelings. He doesnâ€™t fly from buildings, is vulnerable and tries his earnest best to save our â€śex PMâ€ť from being assassinated.
So genuine is Johnâ€™s desperation that while we know exactly how it will all end we still at one point cling on trustingly and feverishly to Vikram Singhâ€™s bleak hope of everything falling into place just in time. Scriptwriters Somnath Dey and Shubhendu Bhattacharya have to be applauded for weaving together such a beautiful tapestry where the threadbare facts we know are wrapped up in multitudinous political intrigues and real time war raucous.
Madras CafĂ© walks a tight rope but does so gracefully. The LTTE is referred to as LTF, headed by Anna (Ajay Rantham) playing Prabhakaran. While the film doesnâ€™t openly blame any one side it has characters mouthing dialogues such as "har kisika apna sach hota hai" and â€śone manâ€™s revolutionary is another manâ€™s terroristâ€ť thus conveying the blurring lines and how the innocent invariably pay a price in the absence of any peaceful political solution. The filmâ€™s sole focus is the assassination that we experience through the eyes of agent Vikram Singh accompanied by generous dosage of Machiavellian maneuvering, Secret Service spying, coding and decoding of messages and the last minute adrenaline rush. The only reason the film falls a notch short of perfect is that while the buildup is brilliant with the music reaching its crescendo the climax is in comparison quite flat. Notwithstanding the inevitability of the end if only it had been spiced up with some more intrigue and thought provoking data the film would have stayed with us longer.
Still Madras CafĂ© is a treat without the generally accompanying melodrama and high decibel levels. There is pain, there is brutality and there are some superb performances but everything understated and real. Go for it knowing full well its worth your time and money !
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