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![]() On top of this world! It feels great that the hard work of you and your team get appreciated. You have worked with singers like Shweta Pandit and Shraddha Pandit this time. Was it from Yash Raj or did you choose them?
That’s the beauty of this film. The script is as such where you need a peppy number. It wasn't a deliberate attempt. It was the script and the director which inspired me and my team to have such a soundtrack. “Isq Risk” has dominated the charts for a long while and Rahat Fateh Ali Khan was impressive in his performance. Do you intend to work with him again in the future, if a situation arises? You are now in the Yash Raj camp as they recently offered you Ek Tha Tiger. What was your feeling when you know you’ll be composing for such a huge project? Expectations and the bar are being raised with each project of yours, especially after the flamboyant MBKD. What is your success formula for ETT? What can we expect from Ek Tha Tiger? The soundtrack of Khelein Hum Jee Jaan Sey received rave reviews all across, but after the movie bombed, the songs were forgotten. The same cannot be said for periodic soundtracks, which depend heavily on the box office success of the movie as the people connect with it. Are you disappointed that the soundtrack didn’t receive recognition due to the box office failure of the movie? How fortunate do you consider yourself to be, at the start of your career, you have already worked with A. Gowariker and now with Aditya Chopra? Now that you have composed for three big movies, do you think you have carved a style for yourself. Will listeners instantly recognize your music when they listen to one of your tracks e.g. when someone listens to an Anu Malik or A.R Rahman song? You also focus a lot arrangements and mixing as equally as music. How do you manage to keep this balance? You have completed two masala soundtracks with What’s Your Raashee and MBKD. What other genres would you like to experiment? Are you friends with the current music composers e.g. Vishal Dadlani regularly sings for Shankar-Ehsaan-Loy (SEL) and vice versa? How do you pull out tunes for your projects – since they have varying situations and the romantic Bollywood numbers? Unlike many new comers, you have not shared credits or involved in any projects, where you have to share credits. What are your views on producers bringing on multiple composers on board, with or without the approval? You have recently completed about 3 years in Bollywood. How long do you think you will survive in this industry? What are you currently listening? I am personally seeing that Bollywood music is lacking melody and songs now sound more like ad jingles or composed to sound better as ringtones rather than situational tracks in movies. This is a just an observation, without saying I am pessimist about Bollywood music. What are your views? Do you have interests outside of music? Do you receive any guidance on your projects from your father? What other projects are you currently doing? Thanks for taking time off to talk to Planet Bollywood.
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